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You've selected:
What About Me
Sheetmusic to print
554 sheet music found
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551
Nobody Gets Me
Nobody Gets Me
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
#
Benny Blanco, Carter Lang, and
#
Aaron Bennett
#
Nobody Gets Me
#
StringfulScores.com
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1233665 Composed by Benny Blanco, Carter Lang, and Solana Rowe. Arranged by Aaron B...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1233665 Composed by Benny Blanco, Carter Lang, and Solana Rowe. Arranged by Aaron Bennett. Country,Film/TV,Folk,Pop,Wedding. 13 pages. StringfulScores.com #829253. Published by StringfulScores.com (A0.1233665). Nobody Gets Me from SZA’s recent “SOS” album, as heard in Netflix's brand new season 3 of BRIDGERTON (“Queen Charlotte: A Bridgerton Story”) arranged for String Quartet by Aaron Bennett.This arrangement is inspired by both the original song and soundtrack cover by Caleb and Brian Chan, with melodic interest for all players. Please note the tempo of this arrangement is approximately half way between SZA’s album recording and the Chan cover in order to retain some of the original song’s rhythmic lilt, whilst being steady enough to play the semiquaver rhythms more comfortably and somewhat nod to the slightly slower feel of the cover version. Get your quartet on trend with one of the latest songs to receive the BRIDGERTON makeover!This song is also available for String Trio (opt. Vln2/Vla). View all BRIDGERTON arrangements via the Stringful Scores YouTube playlist!BRIDGERTON arrangements by Aaron Bennett also available:- If I Ain't Got You (Alicia Keys) - String Quartet/Trio/Duo/Piano Trio- I Will Always Love You (Whitney Houston) - String Quartet/Trio/Duo- Nobody Gets Me (SZA) - String Quartet/String Trio- Deja Vu (Beyonce ft. Jay-Z) - String Quartet- Wrecking Ball (Miley Cyrus) - String Quartet/Trio/Duo- Sign of the Times (Harry Styles) - String Quartet/Trio - What About Us (P!nk) - String Quartet/Trio- Dancing On My Own (Robyn) - String Duo- Material Girl (Madonna) - String Duo/Piano Trio- Wildest Dreams (Taylor Swift) - String Duo- Thank U, Next (Ariana Grande) - String Duo- Girls Like You (Maroon 5) - String Duo- In My Blood (Shawn Mendes) - String Duo- Bridgerton Theme (Kris Bowers) - String Duo (Vln/Vc, Vln/Vla & Vln Duo)/Piano TrioFor more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99 ≈
14.92€
I Sure Know a Lot About Me
I Sure Know a Lot About Me
#
Choral Unison
#
EASY
#
Glenn Calcote
#
I Sure Know a Lot About Me
#
Glenn Calcote
#
SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.903668 Composed by Glenn Calcote. Children,Instructional. Octavo. 6 pages. Glenn Calcote #6452267. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.903668 Composed by Glenn Calcote. Children,Instructional. Octavo. 6 pages. Glenn Calcote #6452267. Published by Glenn Calcote (A0.903668). A fun, unison song for children about what they know most about...themselves. Lyrics can be changed to fit different concerns or interest. .
$3.99 ≈
3.72€
Stronger (What Doesn't Kill You)
Stronger (What Doesn't Kill You)
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Pop music
#
Kelly Clarkson
#
Frank Pugh
#
Written for
#
Stronger
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Frank Pugh
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. 24 pages. Frank Pugh #3446223. Published by Frank Pugh (A0.942707). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for saxophone quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have all the saxes needed, then these substitute parts are included: the soprano part may be played on alto, and the alto 2 part may be played on tenor sax. The song comes in at around 3:14 in length.This arrangement is written in the same key as my brass quintet arrangement of Stronger, and so both arrangements are compatible with each other.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99 ≈
14.92€
Stronger (What Doesn't Kill You)
Stronger (What Doesn't Kill You)
#
Brass ensemble
#
INTERMEDIATE
#
Pop music
#
Kelly Clarkson
#
Frank Pugh
#
Stronger
#
Frank Pugh
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pu...
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Brass Ensemble - Level 3 - SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. Score and parts. 24 pages. Frank Pugh #3444699. Published by Frank Pugh (A0.942708). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for brass quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 3:14 in length.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99 ≈
14.92€
What About Me by Kenny Rogers - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Kenny Rogers
#
What About Me
#
Musicnotes
Performed by: Kenny Rogers: What About Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Kenny Rogers: What About Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Guitar;Piano; 7 pages -- Adult Contemporary~~Soft Rock
$5.50 ≈
5.13€
What About Me by Shannon Noll - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
Shannon Noll
#
What About Me
#
Musicnotes
Performed by: Shannon Noll: What About Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Shannon Noll: What About Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Piano;Guitar;Voice; 6 pages -- Adult Contemporary~~New Wave~~Adult Alternative~~Pop Rock
$5.50 ≈
5.13€
What About Me?
What About Me?
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Jazz Ensemble
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ADVANCED
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Michael Kelly Rea League
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Jack Lanhardt
#
What About Me?
#
Jack Lanhardt
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1308845 Composed by Michael Kelly Rea League. Arranged by Jack Lanhardt. 21st Century,Contemporary,Funk,...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1308845 Composed by Michael Kelly Rea League. Arranged by Jack Lanhardt. 21st Century,Contemporary,Funk,Jazz. Score and Parts. 75 pages. Jack Lanhardt #898097. Published by Jack Lanhardt (A0.1308845). A bombastic and high-energy arrangement of one of Snarky Puppy's most famous tunes! For 10-Brass Big Band plus Violin. Features Trumpet 4.
$75.00 ≈
69.98€
Don't You (forget About Me)
Don't You (forget About Me)
#
Accordion
#
EASY
#
Simple Minds
#
Luc Papens
#
Don't You
#
Luc Papens
#
SheetMusicPlus
Accordion - Level 2 - SKU: A0.1303192 By Simple Minds. By Keith Forsey and Steve Schiff. Arranged by Luc Papens. 20th Century,Film/TV,Pop,Rock. 34 pages...
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Accordion - Level 2 - SKU: A0.1303192 By Simple Minds. By Keith Forsey and Steve Schiff. Arranged by Luc Papens. 20th Century,Film/TV,Pop,Rock. 34 pages. Luc Papens #892780. Published by Luc Papens (A0.1303192). This is one of the most popular songs of the Eighties, thanks to the Simple Minds and the film “The Breakfast Club”.The Scottish rock band Simple Minds recorded this song in 1985 for the film which became a cult hit, as did the theme song. The song was written specifically for the movie by songwriters Keith Forsey and Steve Schiff.Simple Minds were reluctant to perform the song since it was not written by them. But gradually it found its way to the playlist and became one of the highlights of their live shows, when the audience sings “lalalala” for minutes.This arrangement for accordion orchestra starts in a ‘classical bombastic’ style, on a slower tempo, but picks up the tempo when the typical drum riff starts. There is a lot of dynamic movement: from soft verses, only 2 voices playing, to bombastic crescendo in the choruses. To get your audience participating, the typical ‘break’ from the live performances is also included, repeating the “lalalala” melody. Just encourage them to sing and clap and see what happens! 😊Have fun with this Eighties Classic!The pdf is a bundle containing the FULL SCORE and a complete SET OF PARTS.It contains: Full Score, Accordion1, Accordion2, Accordion3, Accordion4, Piano/Keyboard, Bass, Percussion, Drums. Note: some pages might be blank to avoid overlapping of parts when printing recto verso.The mp3 is produced by Sibelius notation software and Kontakt sample libraries. Duration: 4:45Luc Papens MusicPopular music for accordion orchestra
$49.99 ≈
46.64€
Say What?
Say What?
#
Say What?
#
Hope Publishing - Digital
#
SheetMusicPlus
Reproducible Score-Digital Version - SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H...
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Reproducible Score-Digital Version - SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H1.9171DP). Allen Pote.A Musical for Young Voices - The Story of the Tower of Babel Leading to Pentecost In Genesis 11 and Acts 2 we read about two events where languages helped fulfill God's purpose. When the people of Babel built the tower, they were led by the human spirit and ended up in confusion, scattered over the earth, speaking different languages. At Pentecost, people from many nations, speaking different languages, were led by the Holy Spirit; and even in their diversity, they were united. This 35-minute musical for young voices (Unison w/opt. Two-Part) links together these Old Testament and New Testament stories with songs, humor and heart. The message is, if we follow the Great Commandments - ?loving God and loving our neighbors, no matter how different from us they are or what language they speak - we will surely be filled with the Holy Spirit. A score with piano accompaniment and a singers edition without the piano part are both included for the one price. You may make as many copies as you require for use by your choir. Separate audio MP3s and instrumental parts are available, and there is a video of the debut performance on the Hope YouTube channel.
Song List
: Love Your Neighbor The Journey Everybody Think! Building a Tower Say What? The Festival of Harvest Haida Hallelujah Pentecost Scene Breathe On Me, Breath Of God Spirit Of God Go Make Disciples
$99.95 ≈
93.25€
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone and Organ
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ADVANCED
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Contemporary
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00 ≈
14.00€
Que Sera, Sera (whatever Will Be, Will Be)
Que Sera, Sera (whatever Will Be, Will Be)
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Choral SATB
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INTERMEDIATE
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Pop music
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Doris Day
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Justin Goh
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Que Sera, Sera
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Justin Goh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.878811 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Justin Goh. Pop. Octavo. 9 pages. Justi...
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Choral Choir (SATB) - Level 3 - SKU: A0.878811 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Justin Goh. Pop. Octavo. 9 pages. Justin Goh #3859777. Published by Justin Goh (A0.878811). SATB ChoirA cappellaSample recording: https://www.youtube.com/watch?v=UwXiFG5YRBU--The idea of arranging this piece first came to me when I attended a Folksong Arrangement class. I was tasked to think about what songs my grandparents sang to me. Que Sera, Sera, although not a folksong, was the first that came to mind. My maternal grandmother had sung this to me in my younger days. Not long after, my grandmother announced that she intended to sell her house - the very house that I spent most of my growing-up years in. This was followed by many weeks of packing her belongings, uncovering forgotten treasures, and recalling the days of my childhood. Quite aptly, arranging this piece gave me an avenue to express my sentimental thoughts, and say goodbye to an old house filled with so many memories. I hope that both the performer and the listener can be transported back in time, even if just for a few minutes, to reminisce the happier and more carefree days of our lives. Furthermore, let us count our blessings in the present, as the future’s not ours to see. Que Sera, Sera. What will be, will be. --If you have questions or comments, I'm most happy to hear from you at justingohcj@gmail.com
$3.99 ≈
3.72€
It's Only Sex
It's Only Sex
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Bass guitar
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INTERMEDIATE
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William James Barnes
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Daniel Roberts
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It's Only Sex
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #64...
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Bass Guitar - Level 3 - SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #640699. Published by Daniel P Roberts (A0.1035485). Car Seat Headrest, It's Only Sex note for note bass transcription 4 string bass with TAB. The other night I cried while thinking of having sex with you Not out of desire or shame but some subconscious impulse to feel pain I wiped my tears on my face and neck and the backs of my ears And said, Now it's sweat, now it's sweat, it's sweat now Just to see you It's such a treasure But when I feel you My flesh yields no pleasure And honey I'm cultured I'm very sex positive So what is this feeling? It ain't so positive I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only OK, so I've been reading all the sex blogs And they all talk about how OK it is to be gay And straight and bisexual and asexual And have sex however you like But I don't care about hundreds of hypothetical people And their hypothetical sex deals I care about me, and my sex deal! What about my problems? Baby, my body Constantly betrays me I try to betray it I only hurt myself Yeah, yeah I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex It's only It's only sex C'mon, sexual desire, speak! I want to hold you tight I want to feel your love physically I want to sleep with you But only in the literal sense I can't tell you if I like it, I like it What happens if I don't like it? I like you I can't tell you if I like it, I like it What happens if I don't like it? It's only- I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex (it's only sex) It's only- It's only sex (no, it's not) It's only sex It's only- It's only sex It's only sex It's only-.
$4.99 ≈
4.66€
Think About That Day - a Christmas duet and piano - different bridge
Think About That Day - a Christmas duet and piano - different bridge
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Piano, Vocal and Guitar
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EASY
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Christmas
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Connie Boss
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Think About That Day - a Chris
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801548 Composed by Connie Boss. Christian,Christmas,Gospel,Sacred. Score. 4 pages. Connie Boss #6097477. Pu...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801548 Composed by Connie Boss. Christian,Christmas,Gospel,Sacred. Score. 4 pages. Connie Boss #6097477. Published by Connie Boss (A0.801548). This is version number 2 of this song. I decided to make an SATB version of the first one I did that was a duet. I decided to change the bridge. I decided I really liked it, so I condensed it somewhat into a duet with the new bridge. You can listen to both and decide which one you like better. I really love this song because when I wrote it, I thought back about how life would have been back in those days as apposed to life today. In some ways, life was much simpler, but at the same time a hard life. Today is similar but in a different way. Some things are easier but life is not as simple as it once was. I can't imagine an angel appearing before me and giving me a message from God as what happened to Mary and Joseph. cdboss@cvalley.net. Lyrics below.
$5.00 ≈
4.67€
Trapped
Trapped
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.33€
What The Lord Has Done For Me (Anthem) - Vocal Score
What The Lord Has Done For Me (Anthem) - Vocal Score
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher ...
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Choral Choir (SATB) - Level 3 - SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher Brown #4756811. Published by Christopher Brown (A0.747217). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only (available separately), OR with additional band members (rhythm chart included in orchestration), OR with full orchestra (orchestration available separately).Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Included in your Purchase:Vocal Score (Solo & SATB)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$1.99 ≈
1.86€
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher...
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Choral Choir (SATB) - Level 3 - SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$4.99 ≈
4.66€
What The Lord Has Done For Me (Anthem) - Orchestration
What The Lord Has Done For Me (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christo...
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Full Orchestra - Level 3 - SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christopher Brown #4756795. Published by Christopher Brown (A0.747214). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$49.99 ≈
46.64€
9.28.85
9.28.85
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Trombone
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ADVANCED
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99 ≈
7.45€
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What About Me
